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sls
There's some interesting mixing on this album, in the songs that were done in "fake stereo" - Particularly on All Or Nothing and My Mind's Eye. It seems like in addition to the usual EQ and echo added, one of the engineers had his hand on the channel fader, manually moving the sound around at certain points, like when vocals come in. Usually I dislike fake stereo, but it wasn't bad on this album, especially if you're listening with speakers.
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