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maxi
O who is this dark angel with her unruly Slavic eyebrows ranged like two duelling pistols, lightly sweating in the pale light of the TTF screen? / O behold her shaded, infolded concentration, her heartbreakingly / beautiful face so clearly betraying the true focus of one not merely / content -–as, no doubt, were others at the Manver Elektronische Festival in Wien – / to hit play while making some fraudulent correction to a volume slider / but instead deep in the manipulation of some complex real-time software such as Ableton Live, MAX/MSP or Supercollider? [Don Patterson, 2008]
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