Wiki
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Release Date
28 September 2017
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Length
10 tracks
Infèdele(s) (infidels) is a reference to the vicious scourge of systematic religion upon society. Religion is fear of the unknown. People claim that god makes us suffer so much because he loves us a lot and he is testing our love for him. That is the real ego. If there is actually a god that exists, it should not do that at all. You do not intentionally put the people you love through so much suffering. That is called enjoying others' suffering and that is what humans do. That is why god is not real, it does not exist. At least the human god. The god of suffering. Supposedly, god should be above humans.
A certain kind of humans could be identified as the devil. Satan is not real. Satan can be interpreted as that certain kind of people and god is us; we, the humans. We created god. That's what the bible means when it says god created man in his own image. And god was responsible for satan's creation.
Religion crumbles with reason and rational thought. Other bands that attack religion (though more directly and explicitly) are Fall of Efrafa and Light Bearer. Celeste often use an upside down cross (usually made out of written text) as some kind of 'band logo' or 'symbol'.
Infidèle(s) can also allude to infidelity and cheating (on women).
The cover is a picture of a group of women lying down next to each other and wearing some white/beige attire/bodysuit underwear. They appear sort of resigned, however, they know they are not alone. They have each other, in this struggle. Their struggle.
Musically the album is even more black metal than past ones. There are more tremolo picking melodies present. There is still a lot of dissonance in display plus breakdowns and palm muting. There are still slow sludge metal sections typical to Celeste's sound. The drumming became more complex and hard-hitting, with many interesting drum fills. The vocals became even more of an unchanged unvaried black metal rasp with a very noticeable screamo flavour still. These are still hardcore songs at their core.
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