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Biography

  • Born

    19 May 1935 (age 89)

  • Born In

    Tulsa, Tulsa County, Oklahoma, United States

Cecil McBee (born May 19, 1935) is an American post bop jazz bassist, described by the Guinness Who's Who of Jazz (Second Edition, ed. Colin Larkin, 1995) as "a full-toned bassist who creates rich, singing phrases in a wide range of contemporary jazz contexts."

McBee was born in Tulsa, Oklahoma, on 19 May 1935. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, he spent two years in the army, during which time he conducted the band at Fort Knox. In 1959 he played with Dinah Washington, and in 1962 he moved to Detriot, where he wokred with Paul Winter's folk-rock ensemble from 1963-1964. His jazz career began in earnest in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965-66),Charles Lloyd (1966), Yusef Lateef (1967-69),Keith Jarrett, and Alice Coltrane(1969-1972).

He established his own group in 1975, and has made a number of recordings under his own name, but is best known for his work as a sideman; he continues to be in high demand, and has gone on to work with Chico Freeman, Freddie Hubbard, Grachan Moncur III, Bobby Hutcherson, Charles Tolliver, Pharoah Sanders, Lonnie Liston Smith, Sonny Rollins, Michael White, Joanne Brackeen, Horace Tapscott, Anthony Braxton, Abdullah Ibrahim, Buddy Tate and Harry 'Sweets' Edison. In addition, he teaches at the prestigious New England Conservatory in Boston, Massachusetts.

As can be seen from the diverse range of artists with whom he has worked, he is able to adapt seamlessly into a wide range of different contexts, and is equally adept as a solo voice or in a supporting role. McBee is often ranked with bassists of the calibre of Jimmy Blanton, Charles Mingus, and Oscar Pettiford, and has played on some of the most highly regarded jazz recordings of the 1960s, 70s, 80s, and 90s.

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