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licoricepizza
I'll have to give it a few more listens, but at this moment I don't have it as high as Julia Jacklin, Stella Donnelly, Weyes Blood or Bat For Lashes. I'm sure that may change soon. :)
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omskurengurka
I wasn’t sure at first, but i think it’s growing on me. Her Angel(ic) voice works so amazingly well with the string arrangements.
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TopRamen
I know this is super early to say given the album was only released today but this could be one of my top albums of the decade. This album is so well-developed and powerful, a stunning culmination of Olsen's music trajectory this past decade. Don't get me wrong, her releases this past decade were all amazing but this otherworldly.
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TopRamen
Interest has cooled a little bit I still love the album. I find myself going back to My Woman more than All Mirrors these days. I've come to realize that I'm usually more in the mood the simpler, rawer sound of the former compared to the maximal baroque sound of the latter. I will say that "Chance" is Olsen's best song though.
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darrenaronfsky
The lines between the romance and the freedom of it, Angel releases perhaps the best album of the year without a doubt. The poetic excellence from the lyrics, the absolutely perfect production matching her outstanding voice is beyond reachable, one can say with assurance, Olsen has one of the most raw, beautiful and unique voices of this century. All Mirrors left me shocked by the end of it, what a TRULY musical experience, I'm speechless................
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raffy_rillo
Highly emotive and emotionally potent. This is her most grand, ambitious work to date.
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