Agalloch

For eighteen years the Pacific Northwest group Agalloch has defined what it means to combine influences from a variety of musical genres into one brooding, colossal, and cinematic sound that provides the soundtrack to existential themes concerning man, nature, loss, and death.

After two demo releases in the late 90s the band released three full-length albums: "Pale Folklore" (1999), "The Mantle" (2002), and "Ashes Against the
Grain" (2006). "The Mantle" has since been heralded as a classic for having been one of the first albums to combine elements from black metal, neo-folk, progressive rock, post-rock, and ambient music. The influence of this record can be heard in many so-called "post-black metal" bands today.

In 2008 Agalloch began re-releasing their demos, B-sides, and EPs under their own Dammerung Arthouse label. In 2010 their fourth album "Marrow of
the Spirit" made number one on numerous critic's top ten lists. In between each of these full-lengths the band pushed on the flexible boundaries they
had developed around themselves through a series of EPs that found the band experimenting with post-rock/instrumental rock ("The Grey," 2004), neo-folk/psychedelic folk ("The White," 2008) and a mammoth twenty-minute epic work entitled "Faustian Echoes" (2012) released through Dammerung Arts.
Their fifth and newest full-length album "The Serpent & The Sphere" (2014) continues to earn praise for solidifying the now identifiable sound of the
band.

Agalloch has earned a reputation for explosive and emotional live performances. They have sold out tours across Europe and the US and have played a variety of major international festivals including: Roadburn,
Inferno, Ragnarok, Tomahawk, Noctis, Asymmetry Fest, Maryland Deathfest, Scion Fest and others. The band takes special care constructing the environment of each and every show with wood, incense, and imagery taken directly from their home in the Northwest. Such care makes an Agalloch show more than just a typical heavy metal concert.

support:
C R O W N , two men, two guitars, a voice and machine.
http://www.crownritual.com/

Hailing from France, C R O W N, are two men and a machine who tune their
neutron guitars to the Richter scale, and deliver the sound of a molten
universe collapsing. Touching on early Isis, Godflesh, Floor and even
Killing Joke, C R O W N explore the depths of slow tempos on their debut
album, The One, and their split EP with St Valley through sheer exuberant
heaviness.

The duo's depth-charging guitars and buried melodic tendencies snake around
hissing electronics, a tribal / military percussive thwack, and the
splashing cymbals of a minimal-yet-completely-effective drum-machine. Their
sound is further emboldened by a massive bestial roar, heavy and oppressive,
leading to an abyss of nothingness.. Welcome to the dark, spiraling, and
obscure experiments of C R O W N.

VideoTrailer: https://www.youtube.com/watch?v=ObCbmmw6lwU

presale: t.b.a
doors: t.b.a.