Nick Mulvey

On a beach in Honduras in the summer of 2010, Nick Mulvey experienced his sink or swim moment. Surrounded by strangers, clutching an acoustic guitar, having just told the other members of his band, Portico Quartet, that he needed this two week holiday to decide whether he was permanently leaving them, he started to sing.

For the 28-year-old whose writing has already influenced acclaimed Mercury Prize victors Alt-J, who quote Portico title ‘Knee Deep In The North Sea’ in their jazzy ‘Dissolve Me’, picking up the guitar again felt like a homecoming after five years as Britain’s foremost player of the hang – the Swiss percussion instrument invented in the early 2000s. A steel War of the Worlds alien that gives out a warm melodic clang, its distinctive sound was in large part responsible for Portico Quartet becoming the most accessible Mercury nominated jazz act of recent years. Their debut album, Knee-deep in the North Sea, was Mercury nominated alongside Elbow, Radiohead and Adele in 2008, and led to several years of touring major venues for the band.

Following quality studio time with the likes of producers Dan Carey (Bat For Lashes) and indeed Alt-J favourite Charlie Andrew, Mulvey’s debut EP leads with Fever to the Form, ostensibly the record’s simplest strum but important to Mulvey as the first song he completed after leaving Portico. The Fever To The Form EP comes out through Communion Records (Michael Kiwanuka, Deap Vally, Half Moon Run), the independent label-du-jour co-run by Ben Lovett of Mumford & Sons, on 17 June.

Support comes from Hitchin's one-man bedroom project Rhodes.

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