Whitesnake

Journal

  • Alice Cooper & Whitesnake, Berlin 1st Dec 2008

    3 Dec 2008, 17:10 by Deuce70

    How can I start this review so that it would not sound like many others I wrote in the past? How can I find the right words to describe what I felt when the man that I love so much and worship like a god performed in front of me? All that comes to my mind is that I am the happiest person ever and there is nothing more that I want, now that I have seen Alice Cooper.

    The fullfilment of my dream was, however, not that easy. I had no choice but to go to Berlin, this time with no friend of mine and (fortunately) with no “ready-made” organised transport. It wasn’t a difficult decision to make, in case you all wondered. I did not hestitate for a moment and I was ready to do anything to go and see the show. And to tell you the truth, the only matter that might be potentially the problem is the money.. But if seeing your god is not priceless, I don’t know what is..

    Let me skip the boring 6-and-a-half-hour journey as well as further trying to buy a ticket with paper money (xD), not to mention freezing, getting wet and trying to solve the mystery of the public communication in Berlin..

    My intelligent plan was to be at the Hall an hour before the opening of the gates, and so I stood and froze until 6 when puctually (in Poland it would be like a miracle) they let us enter. ( In case you have been already bored with the pre-gig stuff please skip this and go to the main part xD – I hope I will get there). Now… How can the cloakroom cost 2 Euro? I thought that our 1ZŁ price in Stodoła (for each piece of clothing!!) is a little bit primitive xD I mean, you can buy a sausage for 2 Euro and leave your coat in a cloakroom for the same price.. ?

    So we are done with the rip-off. Next there was a bloody fight over the best standing places!! xD I would love to see that, but no, there wasn’t even enough people for this kind of thing. When I got there, the first row was already taken, but the second was still free and it took a lot of time actually for the standing area to get crowded.

    Before the supporting band started playing, quite an interesting thing happend. Mainly, Doug Aldrich himself came down and started talking with people, signing stuff and being photographed. I must say he IS the kind of guy that makes impression, oh yes.. especially when he just walks by with a guitar. And he’s such a nice guy!

    As I was standing there and getting bored, it was quite surprising to hear Polish language! It seems that a lot of Poles came to see Alice (obviously), but also Whitesnake (even though they played in Stodoła the day after).

    As for the support there’s not much to say. Kids playing for kids – it would be this kind of music. Catchy, Green Dayish, “trendy”, but well, there was a little bit of rock and roll in it. Also, nice set of guitars – Zakk’s Bullseye (Epi) and a violet but still beautiful Gibson SG. And they were much too loud…

    WHITESNAKE

    The truth is that if I were to see Whitesnake and Alice separately, I would be excited almost equally about both gigs. And in fact, I was extremely excited about seeing David and I also loved the performance of the whole band. So why didn’t I write about Whitesnake earlier in this review..? The point is that I was (and am) so overwhelmed with Alice that Whitesnake seems to be a little overshadowed. It had to be this way. But I really love Whitesnake, and it has been always my dream to see David. In fact, after Whitesnake went off the stage I was so excited about what had happened that I was seriously afraid of my state when Alice would appear.. and I was somehow right.

    Before the gig, I haven’t seen any recent photos of David and I didn’t know what to expect, but he didn’t dissapoint me at all. He looked really great, and he’s only 3 years younger than Alice. He has still got his charm and hasn’t lost the beaming aura that has always made him such a wonderful and charismatic frontman. Voice – as good as always and also he didn’t omit any of the difficult parts. Focused and emotional during the ballads.. it was this David that we all know, he didn’t change a bit. And of course, most importantly - doing stuff with the microphone! Almost the same as in 83 at Donnington !!

    Now Doug. Charming, handsome.. (po prostu zniewalający!!!) But…. I couldn’t find anything extraordinary in his play. As it didn’t impress me while watching the Live in the Still of the Night DVD, sadly it hasn’t impressed me this time either. He may be a great guitarist technically, he may have a charming way of playing.. and in fact I think he fits the present band really good and I like the new album and its style. But, there is nothing about his play that would make me go mad about him. ( see Vinnie Moore xD)

    Now if Doug was charming, I don’t know how to describe the bass player - Uriah Duffy.. I guess you can’t describe it, you just have to see him perform. He could make a tough competition for Rudy Sarzo.. if you know what I mean :D

    What was the name of the drummer again? Where the deuce is Tommy Aldridge?

    I don’t want to say much about Reb Beach, beacause I simply didn’t enjoy his play, nor his image, behaviour etc. Seeing him live has not improve my opinion about him.

    Now about the performance – the biggest surprise, at least for me, were acoustic versions of “The Deeper the Love” and “Ain’t Gonna Cry No More”.. mmmm Starkers in Tokyo :) The new songs sounded even better than on the album and I was even surprised how well they fit in the setlist. Someone who doesn’t know Whitesnake at all might have never guessed that these songs were recorded 20 years later than the others. As for the rest of the songs – no surprises and no dissapointments either. I mean, you can’t be picky when you see such a band for the first time. Anything they played would be great. Even hearing Is This Love for the 1000th time was wonderful.

    Maybe David did not do much of the talking in between the songs, but there were some funny moments. – before The Deeper the Love started somebody from the audience shouted: Mistreated!. David’s response to this was: Mistreated indeed!! xD Before some other song somebody also shouted: I love you baby xD which was awesome xD and so was Doug’s response: Baby yeah!!!

    The sound was really good, and I must say Germans did a great job just as at the KISS gig in June. However, the audience behaved also as previously – with no energy whatsoever.. The singing was also very poor and audible only during the choruses xD And it was to the point that I even heard myself singing most of the time…

    The setlist wasn’t very long, but I didn’t expect it to be any longer. The performance was really satisfying, incredible and unforgettable.. If not for Alice coming next I would be the happiest person ever anyway!

    The setlist:

    1. Best Years
    2. Fool For Your Loving
    3. Can you Fell the Wind Blow
    4. Love ain’t No Stranger (Dedicated to Mel Galley)
    5. Lay Down Your Love
    6. The Deeper The Love (Acoustic)
    7. Is this Love
    8. Guitar solos of Doug and Reb and then the guitar duel!
    9. A Fool In Love
    10. Ain’t Gonna Cry No More (Acoustic)
    11. Ain’t No Love in The Heart of The City
    12. Give me All Your Love
    13. Here I go Again
    14. Still of The Night


    Best Years


    Love Ain't No Stranger

    ALICE COOPER

    After Whitesnake finished playing, the fullfilment of my dream was getting closer and closer.. The thought of seeing Alice in a moment wasn’t just exciting, it was something indescribable..

    After listening to the songs of Along Came a Spider coming from the loudspeakers the lights go suddenly down… Behind the curtain, there appears a shadow of Alice.. then another Alice stabs him in the heart… the curtain goes up, and then I’m out of my mind. I didn’t even notice what had happened. I saw Alice and I was the happiest person alive.. And he was just like I imagined him to be. And he was real, and standing so close.. Then It’s Hot Tonight started and how I love this song! Alice singing just like he should, just like on the album, going from one side of the stage to the other. Looking in the eyes of the people in the front… Singing and acting just like Alice always does… It was so perfect! Except for one thing? NO!! With no exception! ( For those who listened to the new album xD)

    The end of the first song, lights go down, and then immediately – No Mr. Nice Guy.. And then one song after another. Each one so familiar to me and so beloved. Each one sang by me from the beginning to the end and a smile has not dissapeared from my face for a moment – especially when Alice was standing at the right side of the stage.. I just couldn’t believe both my eyes and ears, I’d been waiting for that moment for so long!!!!

    And the songs… aaaahhh. Woman of Mass Destruction and Dirty Diamonds surprised me the most!! It’s so good that Alice didn’t forget about his last album as I was afraid he would. Having so many albums and songs to choose from, it was really a big surprise to hear these two. However there were only two songs from the new album.. including my favourite one – (In Touch With Your) Feminine Side.

    After Vengeance is Mine Halo of Flies started… and it is in my opinion the best song of Alice and my particularly beloved one.. I wasn’t sure if I was going to hear it, but you may all guess what I felt when I heard it start… Alice as if conducting his band during the beginning… then his theatrical singing … I was so overwhelmed there was even no time for tears!!! Not yet!! Then right before the final part of the song, the bass player had his own little solo, following by Eric Singer’s longer one on drums. And then there was something I’ve never seen anybody perform on stage. Both guitarists – Keri Kelli and Jason Hook joined Eric and played with him the drums. It was quite long and it was really amazing… If I was to highlight one song of the show.. it would definitely be Halo of Flies. Ahhh, it was a masterpiece !!

    Before I proceed it would be nice to write something about the rest of the band. I must admit that I haven’t seen any material from any gig of the new line-up. I was sad because of Ryan Roxie’s departure and also I was afraid how well the new guitarists will do. But as it turned out, I should have trusted Alice in this matter. Keri Kelli really impressed me. Young and cheerful, evidently taking a lot of fun out of playing he was the centre of attention if you didn’t count Alice!! He’s definitely a good guitarist and he brought a lot of positive energy to the show. Jason Hook didn’t impress me that much, but he was OK. I didn’t pay much attention to the bass player though. I mean my attention was almost all the time focused on Alice! And in fact it has always been this way that Alice was the main attraction. There were some particularly good guitarists playing with him in the old days, but generally it has always been about Alice. However Keri was really nice! And of course – Eric Singer! I was really happy to see him, though obviously I didn’t see that much of him. In between the songs some group of people behind me started shouting: KISS!!, KISS!! Eric Singer!!. Haha that was great.

    Getting back to the show! After the amazing Halo of Flies there came the second part of the show, which was more theatrical. Beginning with Welcome To My Nightmare, and being followed by Cold Ethyl (Alice hanging around with a doll, all in blood and torn clothes).. then Only Women Bleed ( the doll is exchanged with one of his daughters ). Next – the piano intro and of course Steven. And suddenly I had tears in my eyes.. This song is made for being staged and it is watching it live that makes it whole, it creates the full effect.. and it was so impressing, so unforgetable.. Then there appeared a trolley and we all know what that might mean !! Of course Dead Babies, but this time acted with a baby in a trolley. During the climax of the song, Alice took the baby out, and showed it to the audience – it had and evil face xD Then he put it back into the trolley and stabbed with a stick!!!! Red lights flashed, and then he took it out again and the baby’s face was all in blood!! (AAAh, Alice - the master of horror :D ) And then suddenly two men in black appear!! They catch Alice, and put a strait-jacket on him. The classic moment!!!! I couldn’t believe I was seeing it with my own eyes!!! (I have tears in my eyes when I recall this moment) And then Alice is left alone and performs Ballad of Dwight Fry. Another classic moment! “I wanna get out of here”… and then, during the climax, he’s taking the strait-jacket off and leaves the stage. The band continues with the solos.. Then the men in black enter with Alice, who is again in the strait-jacket. There also appears a large mysterious object on the stage.. The band plays Devil’s Food.. the object is uncovered. It’s the gallows!! Now the classic part is about to occur. I must admit I’ve never seen Alice die in this way… how exciting, how exciting !!! The moment of anticipation, the ending of Killer played in the background… And.. Alice is hanged! Next, the band plays I love the Dead.. The gallows leave the stage.. And then Alice is back wearing a white jacket (not a suit anymore) and a hat !! Another classic and awaited moment. School’s Out begins including the balloons with confetti inside and introduction of the band…. and then the band goes off the stage…

    First encore – Billion Dollar Babies ( and the classic dollars with Alice’s face given to the audience!!) And finally .. the characteristic intro that couldn’t be mistaken for any other song – Poison! I wasn’t sure he would play it. In fact I’m extremely tired of this song… but seeing Alice sing it.. and seeing him sing the first verse at the right side of the stage and looking me in the eye.. amazing !!!!! I won’t ever forget it. A beautiful ending to an unforgetable concert..

    I can’t say it was THE best gig in my life. Nothing will ever beat seeing Black Sabbath and Ozzy for the first time. But saying that it was the second best concert in my life means certainly a lot. One of the best experiences in my life. Fullfilment of my dreams… I don’t know what better could possibly happen to make me even more happy than I am now!

    The setlist:

    1. It's Hot Tonight
    2. No More Mr Nice Guy
    3. Under My Wheels
    4. I’m Eighteen
    5. Is It My Body
    6. Woman Of Mass Distraction
    7. Feed My Frankenstein
    8. Be My Lover
    9. (In Touch With Your) Feminine Side
    10. Dirty Diamonds
    11. Vengeance Is Mine
    12. Halo Of Flies
    13. Welcome To My Nightmare
    14. Cold Ethyl
    15. Only Women Bleed
    16. Steven
    17. Dead Babies
    18. Ballad Of Dwight Fry
    19. Devil’s Food/ I Love The Dead
    20. School's Out
    ------------------
    21. Billion Dollar Babies
    22. Poison


    Dead Babies - Ballad of Dwight Fry - Devil's Food - Alice is hanged - I love the Dead












    Sorry Eric, I couldn't get a better shot!





    Mon 1 Dec – Alice Cooper, Whitesnake, Five and the Red one

    Alice Cooper
    Whitesnake

  • 2008 (Maj 05/12/08)

    3 Dec 2008, 16:40 by KamadeuS2

    Je vais faire court...

    Cette année j'aurais surtout fait des découvertes d'artistes et de styles. Il y a eu pas mal de périodes où je me suis éloigné de mes terres préférées pour en découvrir d'autres ou pour en approfondir d'autres. J'ai fait de nombreuses heureuses découvertes et last fm par son système de radio y a été pour beaucoup, je l'en remercie; je remercie aussi certains utilisateurs qui ne me connaissent pas mais dont leurs radios m'auront été bénéfiques.
    Quand aux sorties de l'année je suis obligé de reconnaître maintenant que je m'y penche que l'année n'a pas été aussi bonne pour moi que je le pensais. Car je reste sur ma faim trop souvent. Mais elle reste une année positive, ne serait-ce que par mes 3 disques de l'année (1 plus que les autres). Et si je rajoute tous mes voyages et mes heureuses découvertes alors je ne peux que reconnaître que 2008 a été une excellente année. Pauvre en nombre de concert par contre, mais ça c'est secondaire, pas vraiment important. Et même là je ne peux me plaindre car pour la 1ère fois de ma vie j'ai assisté à un concert de musique classique (par 2 fois en fait) et ça c'est énorme pour moi.
    Je dirais que 2008 a été pour moi une année: riche, évènementielle, dépaysante, surprenante, forte, révélatrice.
    A part ça je dirais que je suis plus ouvert qu'avant, que certains de mes goûts ont changé, idem pour certains intérêts, et mon approche de la musique et de la critique aussi. J'ai décidé aussi cette année de ne plus écrire d'article sur des albums.
    J'espère que l'année prochaine sera aussi passionnante...

    Si je devais faire un classement des sorties 2008 (entre parenthèse mon titre préféré s'il y en a un):

    Mes albums de l'année:
    Guns N' Roses - Chinese Democracy (Prostitute)
    Judas Priest - Nostradamus (Exiled)
    KOKIA - The VOICE (Follow The Nightingale)

    Ceux que j'ai aimé et qui m'ont satisfait:
    Beyoncé - I Am... Sasha Fierce (Halo)
    Tiamat - Amanethes (Equinox of the Gods)
    Marty Friedman - Future Addict (Tears Of An Angel)
    Uli Jon Roth - Under a Dark Sky
    Paradise Lost - The Anatomy Of Melancholy
    Akira Yamaoka - Silent Hill Origins

    Ceux que j'ai aimé mais pas assez écouté:
    浜崎あゆみ - GUILTY ((don't) Leave me alone)
    AC/DC - Black Ice (Rock N' Roll Train)

    Ceux que j'ai aimé mais qui ne m'ont pas totalement satisfait:
    Moonspell - Night eternal (First Light)
    Mötley Crüe - Saints of Los Angeles (Saints Of Los Angeles)
    Metallica - Death Magnetic

    Ceux que je n'ai pas aimé et qui m'ont déçu:
    Nine Inch Nails - Ghosts I-IV
    Nine Inch Nails - The Slip
    Cavalera Conspiracy - Inflikted
    Cradle of Filth - Godspeed on the Devil's Thunder
    Yngwie Malmsteen - Perpetual Flame
    Whitesnake - Good to be Bad
    Mylène Farmer - Point De Suture
    Satyricon - The Age Of Nero
  • Song Of The Day - 20 Nov 2008: Welcome To The Jungle

    1 Dec 2008, 03:20 by sablespecter

    Guns N' Roses / PlayWelcome to the Jungle / Appetite for Destruction (1) / Jul 1987

    sablespecter's Album of the Year for 1987 (RDF: 100%)

    Outside of L.A., did anyone see these guys coming? We hear new artists/albums/songs on the radio all the time (less that I care about these days versus back then), and most of the time I can't recall details of exactly what I was doing at the time I first heard some band or song, but I do remember exactly where I was and what I was doing the first time I heard this: in my car, on the way to pick up my girlfriend sometime that summer before senior year. There were no singles from this album until 1988, but thank the stars for Z-Rock, because they played cuts from this that summer, leading off with today's album-opener selection. I usually don't buy an album after hearing just one song, but in this case I didn't even wait to hear that one song a second time. Once was enough for me. This is the only time ever that I decided to get something after I heard only one song, the first time. In this case, immediately. I took a detour straight over to the mall to pick up a copy of this, what turned out to be the single biggest album of my summer soundtrack that year.

    Until that point, I had basically been rotating between Whitesnake and The Joshua Tree, and had recently added Keel(!) So given that context, it's not surprising that I was floored by what I heard, is it? Something that shook me from 1987's stupor of bluesy, hair-ish pop and rock. Up from the gutter: Axl Rose's gritty howl provoked a more visceral reaction, Slash's guitar played with a take-it-or-leave-it, I-don't-give-a-fuck if you like it or not L.A. street attitude, and that music! Izzy Stradlin's contributions - lyrics and/or music on ten of the album's 12 songs - never got the acclaim they deserved. (The one former partner that Axl could really use the most now.)

    IMHO 1987 was the beginning of the end for the hegemony of the golden era of metal. It wasn't obvious at that time, and in fact wasn't even apparent since we were flush with all the great albums of the past seven years or so, but looking back now you can see a sort of a dilution of the scene, less solidarity. The posers-vs-thrashers battle had been pitched for about four years by this time (longer in some scenes), but now it was just a plethora of styles, and the fortunes of metal would start to sort of sink as the hair rose ever higher after this point. By the time the early 90s rolled around, metal was ripe for an upset. From this vantage point in time, it now looks so easy for Nirvana et. al. to have come out of Seattle to knock metal off the perch of its empire, rotted from the inside, without even trying. And to think: Kurt Cobain even found inspiration in GnR!

    --------
    Rounding out the Top Five of 1987 (in order of descending RDF):

    Pink Floyd: A Momentary Lapse of Reason (89% RDF): A new machine indeed! Shaking off the dust, and after getting his second solo album out, David Gilmour firmly took the Pink Floyd into their third era of leadership, and one that I enjoyed just as much as the era dominated by Roger Waters. For me, it really didn't even feel like much of a gap between The Final Cut and this album. I only really started to get into Floyd once The Wall came out, and I spent the intervening years checking out the back catalog and adding to my collection in the spaces between the metal. So much of the older Floyd was still relatively fresh to me. This album just seemed a natural progression, just minus Roger.

    Dokken: Back for the Attack (85% RDF): For me, the high water mark for them. This is when it all came together in a relatively consistent package front to back: great songs, great guitar work, great vocals. Maybe it was the creative result of the tension from the clash of the titantic egos that unfortunately split them for a good number of years after. Hey, at least we got a couple of good albums out of Lynch Mob in a few years.

    Anthrax: Among the Living (83% RDF): The fourth of the Big Four got their defining album out a few months after the other three, but at the time it was my second favorite after Master of Puppets (Peace Sells... has since surpassed it). I don't know how many school desks I scrawled the "NYHC" X label on in the wake of this. It also led to the biggest music event of that summer after junior year. We actually bolted school early on the last day of school to get over to Record Revolution for an in-store meet-and-greet album signing with Anthrax and Metal Church, followed that evening with their show at the old Phantasy Theater. I still have all that autographed merch, though the shirts long ago shrunk to "junior high gym tee" size...

    King Diamond: Abigail (78% RDF): I just recently commented on this album, but couldn't give away too much about where it ranked at that point with this list coming soon. I got by without my own official copy of this for quite awhile, just owning a dubbed cassette copy from a friend. I didn't listen to it much during the nineties, but it was one of the last cassettes that I retired from my regular tape rotation, only leaving my car once I got a new car with a CD deck. Still my favorite King Diamond work, including over anything by Mercyful Fate. Abigail II ain't on par with the original, though.

    Honorable Mentions (in not-entirely-correct alphabetical order by band/artist name):
    Armored Saint: Raising Fear
    Candlemass: Nightfall
    Great White: Once Bitten...
    Grim Reaper: Rock You to Hell
    Helloween: Keeper Of The Seven Keys Part 1
    Keel: Keel
    Saint Vitus: Born Too Late
    Testament: The Legacy
    Trouble: Run To The Light
    U2: The Joshua Tree
    Whitesnake: Whitesnake

    Is your favorite album from 1987 on this list? Are there any others you would add?

    \m/ (ò_ó) \m/
  • Song Of The Day - 15 Nov 2008: The Number Of The Beast (AotY 1982)

    1 Dec 2008, 03:02 by sablespecter

    Iron Maiden / PlayThe Number of the Beast / The Number of the Beast (5) / Mar 1982

    sablespecter's Album of the Year for 1982 (RDF: 87.5%)

    Well, this is where it all started for me! That's in terms of concerts and my Maiden obsession. When I saw them open for Scorpions at my first concert it was a bit frightening and thrilling at the same time. I won't claim to have a photographic memory of it nor can I remember everything they played since I didn't even know who they were at that point, but I do remember being especially enthralled when they played today's selection. With that forboding intro and that line, "six-six-six! The one for you and me!" I couldn't wait to get ahold of this. And I've never looked back. I still have every copy of this album that I have purchased over the years, even including the totally worn-out, squeally cassette that never left my car for so many years.

    The only track that I never got into all that much is the album opener, PlayInvaders. They've only played that track live once ever, I believe, so it's not a broad fan favorite either.

    Over all the years of buying CDs, I have only ever purchased two CD singles. Both of them by Maiden and one of them being the 2005 special edition of the single for today's track (the other to be revealed some other time!)

    I highly recommend the NotB edition of the Classics Albums series for a very good look at the making of the album. Then follow it up with your own viewing of Damien: Omen II and see if you get a similar dream of your own!

    --------
    Rounding out the Top Five of 1982 (in order of descending RDF):

    Judas Priest: Screaming for Vengeance (80% RDF): And with this began the constant question than ran in all the metal rags in the mid-80s that asked some sort of variation of, "Who rules metal? Maiden or Priest?" As if it was some sort of competition to "win." However, these two classics - which are probably the two albums that brought the two bands their most "mainstream" attention - are two different inflection points. For Maiden, their 1982 album was the one that started their upward trajectory to massive worldwide success, while for Priest it was downhill afterward. So while the two bands were somewhat contemporaries, Priest had achieved most of their best work before this point, while for Maiden it was just beginning. So if you think it was a competition to be won, it would depend on how you define the winner, I guess. If it was having a huge body of classic metal work, it would have been Priest. But as the 80s went on, it would have been Maiden if you define it in terms of massive worldwide fandom.

    Asia: Asia (78% RDF): I see looking at the SotD archives that I have never chosen a song from this. I just don't listen to it as much as I did in past years, but still enjoy a full seven of nine tracks. This was the first album that I bought with my own money, during the spring of sixth grade, but it doesn't sound dated to me. Off the top of my head I wouldn't have thought it would make it into the Top 5 of 1982, but when I went back and reviewed the collection during the process of writing these up, that's indeed how it turned out. It has aged well!

    Scorpions: Blackout (78% RDF): THIS was who and why I went to that concert in the late summer of 1982. The album had already gone gold by that point and was in heavy rotation in my own collection during that summer of 1982. Favorite song is not the title track of most-often-played "No One Like You" but the lesser played "You Give Me All I Need." One of my favorites in their entire catalog and a song I never skip.

    Dire Straits: Love Over Gold (80% RDF): This one manages to sneak past some others on the strength of only four songs, but that's out of five and they actually account for 86% of the album length. It's kind of a short album but opens with my favorite Dire Straits track, and "Private Investigations" is an outstanding smoky, film-noir-on-vinyl!

    Honorable Mentions (in not-entirely-correct alphabetical order by band/artist name):
    Accept: Restless and Wild
    Billy Squier: Emotions in Motion
    Eddie Money: No Control
    Fleetwood Mac: Mirage
    John Mellencamp: American Fool
    Krokus: One Vice at a Time
    Michael Jackson: Thriller
    Motörhead: Iron Fist
    Night Ranger: Dawn Patrol
    Robert Plant: Pictures at Eleven
    Rush: Signals
    Sammy Hagar: Three Lock Box
    Steve Miller Band: Abracadabra
    Tom Petty and the Heartbreakers: Long After Dark
    Tygers of Pan Tang: Crazy Nights
    Uriah Heep: Abominog
    Whitesnake: Saints & Sinners

    Is your favorite album from 1982 on this list? Are there any others you would add?

    \m/ (ò_ó) \m/
  • Song Of The Day - 14 Nov 2008: Killers (AotY 1981)

    1 Dec 2008, 03:00 by sablespecter

    Iron Maiden / PlayKillers / Killers (7) / Feb 1981

    sablespecter's Album of the Year for 1981 (RDF: 91%)

    Purchased along with NotB after seeing Maiden open for Scorpions at my first concert, I have never tired of this album after all these years, and never treated it with any less love than NotB despite my preference for Bruce Dickinson over Paul Di'Anno. As Paul himself once described it a few years back in an interview with Jeb Wright over on Classic Rock Revisited (now unavailable), Bruce is the better singer of the two, but not when it comes to delivering the material of the first two albums.

    There are two things that I can never get enough of with this album. One: the gritty, punk-in-the-dark-alley vocals of Paul - that get no better than on the title track selection of this day and on PlayWrathchild - but still manage to carry a good melody, as in PlayProdigal Son. And while everyone knows that Bruce has an awesome range and sustain, Paul could also deliver at times, too. Just listen to the way he totally slays from the opening vocal line to the final notes on the far-too-often overlooked album closer PlayDrifter.

    Second: the great instrumentals! With Adrian Smith joining Dave Murray, they wasted no time demonstrating how well they combined to make a lethal combination, right from the opener Ides of march. Many bands could blend two guitars into a "twin guitar" attack, or write a song with alternating solos between verses, but the way these two can also seamlessly hand off to each other in the midst of the same break is IMHO unrivaled, from that time to this day. Listen for it: Adrian's more slicing, harder-edged tone cutting between your ears before the smoother, creamy sound of Dave smooths it right over. And that's just the warmup! The pinnacle of that interplay comes on today's selection, right after Di'Anno's bridge. Listen at the three-minute mark as they play back-and-forth on a 30+ second break, Adrian/Dave/Adrian/Dave - that's the killing moment! Not that they don't give us the blended "twin attack" on this album! They bring that, too, right after the great work by Clive Burr on his drum feature PlayGenghis Khan - that's the beauty of the final minute of the song!

    --------
    Rounding out the Top Five of 1981 (in order of descending RDF):

    Ozzy Osbourne: Diary of a Madman (94% RDF): My highest-rated Ozzy album, and the one that most often makes me sad that Ozzy can no longer do work of this caliber. Another instance of the highest-rated RDF album of the year not being the AotY, only because Killers has a higher number of infrared dots. In my typical counter-grain opinion, I favor side two over the much-more-played A side, though "Tonight" is the track that gets just a pink dot, with the best part being the closing guitar work Randy Rhoads. If you don't yet this on CD to go with your vinyl (and you DO have this on vinyl, right?), be sure to find a copy of the 1995 re-release. The 2002 re-re-release is probably the most desecrated of Ozzy's original albums. The re-recorded bass and drums are noticably and disturbingly different from Daisley's and Kerslake's work that we grew up with.

    Rush: Moving Pictures (86% RDF): It was all downhill after this one. Well, at least for about 20 years until the release of Vapor Trails. The albums between had their share of excellent tracks and they never stopped doing quality work, but no album would rate this high of an RDF until Snakes & Arrows. Confession: For years I skipped over "YYZ" until I learned to actually listen to it as an enjoyable piece rather than as a placeholder until the next song!

    Def Leppard: High 'n' Dry (80% RDF): If entire albums can be thought of as a B-side, then that's how I view this one: as the B-side to Pyromania, since I bought this soon after that one. These two albums are inseparable for me, and serve as the "bright" sound of the triad of bands that I played most-often in my personal junior high school soundtrack along with Black Sabbath and Iron Maiden. It would have been interesting - maybe even better - to hear how the "A side" would have turned out had Pete Willis not been sacked after this album.

    Blue Öyster Cult: Fire of Unknown Origin (78% RDF): The last of the truly great BÖC albums. There would be other great individual tracks after this, and even a great little bizarre concept album, but this is the last one that's generally strong top-to-bottom. Made for a great tour with Black Sabbath on the Black-n-Blue tour, which I actually saw the film of one reel at a time, one day at a time, when they showed us movies that way during the junior high lunchtime free period. Features my favorite BÖC track, "Burnin' For You," which was the second video I ever saw on MTV!

    Honorable Mentions (in not-entirely-correct alphabetical order by band/artist name):
    AC/DC: For Those About to Rock We Salute You
    Billy Squier: Don't Say No
    Black Sabbath: Mob Rules
    Foreigner: 4
    Journey: Escape
    Judas Priest: Point of Entry
    Loverboy: Get Lucky
    Men at Work: Business As Usual
    Michael Schenker Group: M.S.G.
    Mötley Crüe: Too Fast For Love
    Rainbow: Difficult to Cure
    Riot: Fire Down Under
    Samson: Shock Tactics
    Saxon: Denim And Leather
    The J. Geils Band: Freeze Frame
    The Police: Ghost in the Machine
    The Pretenders: Pretenders II
    Tom Petty and the Heartbreakers: Hard Promises
    Triumph: Allied Forces
    Tygers of Pan Tang: Spellbound
    Van Halen: Fair Warning
    Whitesnake: Come An' Get It

    Is your favorite album from 1981 on this list? Are there any others you would add?

    \m/ (ò_ó) \m/
  • Song Of The Day - 13 Nov 2008: Heaven and Hell (AotY 1980)

    1 Dec 2008, 02:55 by sablespecter

    Black Sabbath / PlayHeaven and Hell / Heaven And Hell (4) / Apr 1980

    sablespecter's Album of the Year for 1980* (RDF: 100%)

    Just as Sabbath's first album scored a perfect 100%, the first one with Dio does the same! It's amazing to me that this album was able to come together at all, let alone becoming one of the greatest albums of the entire Sabbath catalog and in all of . After the firing of Ozzy Osbourne, Geezer Butler's divorce, and Bill Ward being so heavily inebriated that he doesn't even recall the recording of the album, it was a first test of the iron will of Tony Iommi that held it together, a will that would keep hloding it together during the unsteady 80s (for better and often for worse). Geoff Nicholls also makes his first appearance, and has been with them ever since.

    This particular track is Dio's all-time favorite composition from any era, solo or from and any band that he has been in. I think it nicely sums up his outlook on life generally, and you can see one or more elements of this song in almost any song that he has written (even if you look between all the fantasy imagery of his solo work). Of course, best heard live, when it gets stretched out with solos etc. and even spliced with other songs, as done nicely on Live Evil.

    And yet, not my favorite track from the album, which will be revealed some other time.

    --------
    Rounding out the Top Five of 1980 (in order of descending RDF):

    Def Leppard: On Through the Night (100% RDF): Two 100% RDF albums in a single year? Sure! Must have been a common occurrence during the 80s, right? Nope. Did it ever happen again? Maybe (stay tuned)! My third album from the Lepps, only picked up after I bought the next two in early '83, which was probably pretty common at least here in the States. I can't explain why I like every track on this album. Partly because it's a variety of styles, and perhaps partly because of the warm production of Colonel Tom. And definitely because of the playing of Pete Willis. It doesn't get nearly the attention it deserves, possibly because the band have practically disowned it. Why? They need to rediscover some of this formula.

    Iron Maiden: Iron Maiden (89% RDF - calculated from the nine-track U.S. release): Also a third album to enter my collection, purchased after the next two. I had no idea who they were when this was released. Did anybody? Certainly no one stateside. Yet it's one of the greatest debuts ever. Not entirely pure metal - too much punk attitude and dirty riffs à la Motörhead to be just that. And yet they set themselves apart from other punk-influenced NWOBHM brethren with a couple of the most arresting, melodic, polished departures from expectations that you could find on an album like this with "Remember Tomorrow" and "Strange World" (the latter still one of my all-time Maiden favorites). Establishes from the start that the future will be interesting, deep, and exciting.

    Van Halen: Women and Children First (87.5% RDF): More back-to-basic raw sound of the debut album, less pop that the second, and the reason why I like so much of this. It ain't all a big party; there's a dark side to this life. Well, the 70s are over...welcome to the 80s.

    AC/DC: Back in Black (80% RDF): Probably considered the "Album of 1980" at least in the heavy metal circle. And the #2 to MJ's Thriller. Despite the fact that I can't listen to Track Number Seven now after so much overplay, it is a damn good album and features three of my Top 5 AC/DC tracks ("Shoot To Thrill," "Let Me Put My Love into You," "Have A Drink On Me"). I wonder how far they would have gotten with Brian Johnson had this not been as successful as it turned out to be. I'm glad it did, because I'm one of the minority (?) that prefers the Johnson-era songs over the Bon Scott-era songs.

    Honorable Mentions (in not-entirely-correct alphabetical order by band/artist name):
    Angel Witch: Angel Witch
    Blue Öyster Cult: Cultösaurus Erectus
    Dead Kennedys: Fresh Fruit for Rotting Vegetables
    Diamond Head: Lightning to the Nations
    Journey: Departure
    Judas Priest: British Steel
    Krokus: Metal Rendez-Vous
    Michael Stanley Band: Heartland
    Motörhead: Ace of Spades
    Ozzy Osbourne: Blizzard of Ozz
    Rush: Permanent Waves
    Saxon: Wheels of Steel and Strong Arm Of The Law
    Scorpions: Animal Magnetism
    The Alan Parsons Project: The Turn of a Friendly Card
    The Pretenders: The Pretenders
    Whitesnake: Ready An' Willing

    Is your favorite album from 1980 on this list? Are there any others you would add?

    \m/ (ò_ó) \m/

    *So if y'all have been wondering where I went for the past 2+ weeks...sorry - especially those of you that may be frustrated when I do that since I used to be so damn timely - but by now you should know that when I vanish I'm usually up to something. And then you might have remembered, oh yeah, he said he was going to post the AotY Awards for the 1980s sometime in November.

    The Eighties! Holy crap, covering this decade is difficult. Not because it's hard to announce the ten AotY Awards from this decade, but because (as usual) I just can't keep it simple and stop there. I have to do things the hard way and cover the all the other favorites from each year, too! Lookit at that list...so many good albums in the 80s! I could easily expand to a Top 10 for each year, but that's even farther than I want to go, since this should really be about the personal top selection for each year, and the rest just for context. But keep on reading...all of these will eventually be covered in more detail in their own right...someday!
  • Bands I've seen so far

    22 Nov 2008, 10:26 by fridur

    Just to keep track ... In alphabetical order...

    21st century killing machine
    Alice Cooper
    Apocalyptica
    Artillery
    Berzano
    Cast Iron
    Cerberus
    Contradiction
    Dew-Scented
    Evil
    Faith Factor
    Flotsam and Jetsam
    Girlschool
    Grind Inc.
    Hail of Bullets
    Helge Schneider
    Hellhound
    Koldbrann
    Laid In Ashes
    Metallica
    Monster Magnet
    Mortal Remains
    The Mystery
    Naked Frenzy
    Nasty Savage
    Negator
    Sarkom
    Schattenspieler
    Seeds of Baphomet
    Suffocated Art
    Taake
    Timelord
    Tokyo Blade
    Urgehal
    Whitesnake

    ... not quite much, but there are more to come.
  • Seen Live: Band List

    20 Nov 2008, 20:22 by SWATcze

    There are bands I have seen live, since 2002.
    Count of Bands about:
    603
    Count of Events about: 153

    last update 20 Nov 2008


    1349 (NOR)
    2 Wings
    A bude hůř
    A Storm of Light (USA)
    A Wilhelm Scream (USA)
    Abraxas
    Abscess (D)
    Adam Bomb (USA) 2x
    Ador Dorath
    After Forever (NL) 2x
    Agnostic Front (USA)
    Aleš Brichta Band 2x
    Alkehol 3x
    All Shall Perish (USA)
    Amatris (DE)
    Amon Amarth (SWE) 3x
    Anathema (UK)
    Angry Brigade
    Anna K
    Annabel
    Annihilator (CAN)
    Another Way
    ANTHON MOUSER
    Anti-Flag (USA)
    Antigona ROCK OPERA unplugged
    Apocalyptica (FIN) + MARTA JANDOVÁ
    Apple Juice 7x
    Aqva silentia 2x
    Arakain 5x
    Arakain + PLZEŇSKÁ FILHARMONIE
    Argema
    Arch Enemy (SWE)
    Arise of Infinity
    Arkona (RUS)
    Arogance 2x
    Asphalt
    Astro Zombies (FRA)
    Attack of Rage (SK)
    Avantasia (INT.)
    Axxis (GER)
    Až naprší a uschne
    Bačkůrky z mechu
    Bad Religion (USA) 2x
    bad tones
    Bára Zemanová
    Battlelore (FIN)
    Beatallica (USA)
    Beatsteaks (D)
    Bed Sores
    Beheaded (M)
    Behemoth (PL) 2x
    Benjaming Band
    Bettina Schelker (CH)
    Bez súhlasu! (SK)
    Bickle´s Cab (UK)
    Big Business (USA)
    Billy Talent (CAN)
    Black Label Society (UK)
    Black Majesty (AUSTRALIA)
    Blade Loki (POL)
    Blue Effect
    Brainstorm (GER)
    Brouci (SK)
    Brutus
    Bůhví
    Buzzcocks (UK)
    Calathea 3x
    Caliban (GER)
    Carcass (UK)
    Cavalera Conspiracy (USA)
    cctv allstars
    Cephalic Carnage (USA) 2x
    Cinder Road (USA)
    Clockwork Rebels
    Clou 3x
    COBALTO (BRA)
    Cocotte Minute
    Code (NOR)
    Collegium Musicum (SK)
    Combat 77 (DE)
    Communic (NOR)
    CONTAMI NATION
    Cormalen
    Cradle of Filth (GB) 2x
    Creepshow (CAN)
    Crucified Barbara (SWE)
    Crystal Viper (POL)
    České srdce
    Dagoba (FRA)
    Dark Gamballe 2x
    Dark Tranquillity (SWE)
    Darkbuster (USA)
    Davová psychóza
    Dead Shape Figure (FIN)
    Deadline (UK) 2x
    Deathcamp Project (PL)
    Deathstars (SWE) 2x
    Debill Heads 2x
    Debustrol 4x
    Def Leppard (UK)
    Degradace
    Dekolt 2x
    Demarche
    Deratizéři 2x
    Despised Icon (CAN)
    Destyl
    Dew Scented (GER)
    Die Apokalyptischen Reiter (GER)
    Die Happy (D) 3x
    Die Outsiders (CZ, USA)
    Dimmu Borgir (NOR)
    Di-rect
    Dirty Game 2x
    DiscoBalls
    Divokej Bill 6x
    Do řady! 2x
    Doctor P.P. 6x
    Doga 4x
    Dokken (USA)
    Dolores Clan
    Doro (GER)
    double deckers
    Doug Wimbish (USA)
    Down (USA)
    Dreamspace (GER)
    Drone (GER)
    Dukla Vozovna 4x
    Lenka Dusilová
    Dust
    Dying Passion
    E!E 7x
    Eddie Stoilow
    Edenbridge (AUT)
    Edguy (D) 4x
    Egotrip 3x
    Elis (LICH)
    Empire
    End Of Green (GER)
    Engel (SWE)
    Enter Shikari (GB)
    Entombed (SWE)
    Epica (NL)
    Esoteric (UK)
    Ethanol 2x
    Eths (FRA)
    Evergrey (SWE)
    Evidence One (GER)
    Evil Conduct (HOL)
    Evile (UK)
    Existence
    Exodus (USA)
    The Exploited (UK)
    ex-tip (SK)
    Falešný obvinění
    Falchion(FIN)
    Far From Finished(CAN)
    Farna Ewa
    fetisch:MENSCH(GER)
    Finntroll (FIN) 2x
    Flattus
    Fleret
    Fleret + JARMILKA
    Flood
    Fourth Face
    Fousatej Hat
    Franta Sahula & Synove vycepu
    FreaKozaks (RUS)
    Free Fall
    Friday's Gang
    Gamma Ray (GER) 2x
    Garage
    Gate Crusher
    Gauneři
    General Surgery (SE)
    Gipsy.cz
    Girlschool (GB)
    Glenn Hughes (UK)
    Gloomy Grim (FIN)
    Gotthard (SWI)
    Graham Bonnet (UK)
    Grailknights (GER)
    GRASSROAD
    Grave Digger (GER)
    Green Smatroll
    Grenouer (RUS)
    Grill
    Haggard (GER)
    HammerFall (SWE) 2x
    Hannibal Lecter
    Harlej
    Harlej
    Harmful (GER)
    Harmony Bay
    Hasiaci prístroj (SK)
    Hate (PL)
    hazydecay
    Helloween (GER) 2x
    Helloween + Gamma Ray session
    Helpness
    Her Majesty
    Hevein (FIN)
    HIM (FIN)
    Hollenthon (AT)
    Holyhell (USA) 2x
    Horkýže Slíže (SK) 3x
    hörstreich (D)
    Houba 6x