When cut loose on the Rudy Ray Moore/Dolemite catalog to put together the release that came to be known as OhNoMite, Oh No was like the clichéd kid in a candy store. With so much material to pull from it was inevitable that some cuts couldn't be squeezed into the final OhNoMite project, some would with different mixes and some were never fully realized. Oh No turned this material over to his alter-ego, Dr. No, for the further finishing touches for this all instrumental outting. The result is contained here on Dr. No's Kali Tornado Funk. Coming at you with fists flying this… read more
When cut loose on the Rudy Ray Moore/Dolemite catalog to put together the release that came to be known as OhNoMite, Oh No was like the clichéd kid i… read more
When cut loose on the Rudy Ray Moore/Dolemite catalog to put together the release that came to be known as OhNoMite, Oh No was like the clichéd kid in a candy store. With so much materia… read more
It was around the age of 11 when making beats won out over video games to become Oh No’s most obsessive pastime. Over the years, as the Cali-bred b-boy honed his skills of rhyming and producing, it became obvious that – like his brother Madlib (iconic hip-hop maestro), his father Otis Jackson (cult ’70s soul singer) and his uncle Jon Faddis (renowned jazz trumpeter) – Oh No would go on to pursue the family business of music. Oh No debuted as a producer and MC in his own right with The Disrupt, his 2004 full-length on Stones Throw Records. With recent beat production on the albums of… read more
It was around the age of 11 when making beats won out over video games to become Oh No’s most obsessive pastime. Over the years, as the Cali-bred b-boy honed his skills of rhyming and produ… read more
It was around the age of 11 when making beats won out over video games to become Oh No’s most obsessive pastime. Over the years, as the Cali-bred b-boy honed his skills of rhyming and producing, it became obvious that – like his brothe… read more