M. Ostermeier’s recent solo debut Percolate (Parvoart, Jan 2010) featured fragile Rhodes and acoustic piano melodies atop minimal downtempo electronics and Labradford-esque guitar tones. Here on the 29-minute mini-album Lakefront (released on Hibernate Recordings mid-March 2010), the skeletal acoustic piano remains, but the minimal beats have evaporated and we are left with something more organic, more haunting. Harold Budd is still an apt reference for the piano fragments, but the infusion of acoustic recordings and darker guitar and electronics bring to mind Deaf Center and Librar… read more
M. Ostermeier’s recent solo debut Percolate (Parvoart, Jan 2010) featured fragile Rhodes and acoustic piano melodies atop minimal downtempo electroni… read more
M. Ostermeier’s recent solo debut Percolate (Parvoart, Jan 2010) featured fragile Rhodes and acoustic piano melodies atop minimal downtempo electronics and Labradford-esque guitar tones.… read more
M. Ostermeier writes and records music in Baltimore, Maryland. His compositions often feature skeletal piano melodies that are augmented with electronics, guitar, and acoustic recordings. He is a member of Should and co-owner of Words On Music. Official website: www.words-on-music.com/mostermeier
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M. Ostermeier writes and records music in Baltimore, Maryland. His compositions often feature skeletal piano melodies that are augmented with electronics, guitar, and acoustic recordings. H… read more
M. Ostermeier writes and records music in Baltimore, Maryland. His compositions often feature skeletal piano melodies that are augmented with electronics, guitar, and acoustic recordings. He is a member of Should and co-owner of Words … read more