Join others and track this album
Scrobble, find and rediscover music with a Last.fm account
Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Play track | Coco-e |
|
|
3:08 | |||
| 2 | Play track | I Wish You Love (Part 1) |
|
|
3:32 | |||
| 3 | I Wish You Love (Part 2) |
|
|
5:56 | ||||
| 4 | Para Puerto Rico Voy |
|
|
|||||
| 5 | If I Were A King |
|
|
|||||
| 6 | Charangaringa |
|
|
4:01 | ||||
| 7 | Ramona |
|
|
|||||
| 8 | Play track | El Regreso |
|
|
3:02 | |||
| 9 | Play track | Mujer |
|
|
4:30 | |||
| 10 | Play track | Shaft |
|
|
5:52 |
Similar Albums
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 145 | |
| 130 | |
| 149 | |
| 171 | |
| 149 | |
| 149 | |
| 154 | |
| 140 | |
| 165 | |
| 156 | |
| 154 | |
| 143 | |
| 145 | |
| 132 | |
| 186 | |
| 182 | |
| 170 | |
| 199 | |
| 160 | |
| 169 | |
| 155 | |
| 184 | |
| 163 | |
| 161 | |
| 165 | |
| 135 | |
| 157 | |
| 161 | |
| 172 | |
| 186 | |
| 209 | |
| 188 | |
| 182 | |
| 174 | |
| 150 | |
| 161 | |
| 175 | |
| 166 | |
| 154 | |
| 158 | |
| 167 | |
| 190 | |
| 159 | |
| 156 | |
| 168 | |
| 167 | |
| 160 | |
| 153 | |
| 167 | |
| 163 | |
| 169 | |
| 161 | |
| 150 | |
| 141 | |
| 143 | |
| 128 | |
| 136 | |
| 158 | |
| 139 | |
| 164 | |
| 153 | |
| 155 | |
| 167 | |
| 180 | |
| 196 | |
| 166 | |
| 156 | |
| 161 | |
| 185 | |
| 164 | |
| 192 | |
| 170 | |
| 165 | |
| 144 | |
| 160 | |
| 167 | |
| 127 | |
| 177 | |
| 183 | |
| 187 | |
| 229 | |
| 212 | |
| 193 | |
| 210 | |
| 275 | |
| 262 | |
| 242 | |
| 222 | |
| 252 | |
| 249 | |
| 247 | |
| 250 | |
| 232 | |
| 200 | |
| 243 | |
| 197 | |
| 192 | |
| 231 | |
| 220 | |
| 239 | |
| 219 | |
| 203 | |
| 202 | |
| 237 | |
| 227 | |
| 259 | |
| 290 | |
| 335 | |
| 320 | |
| 259 | |
| 213 | |
| 272 | |
| 264 | |
| 285 | |
| 287 | |
| 289 | |
| 260 | |
| 276 | |
| 229 | |
| 276 | |
| 261 | |
| 261 | |
| 245 | |
| 215 | |
| 203 | |
| 205 | |
| 221 | |
| 242 | |
| 235 | |
| 191 | |
| 211 | |
| 198 | |
| 225 | |
| 237 | |
| 214 | |
| 240 | |
| 237 | |
| 214 | |
| 171 | |
| 206 | |
| 220 | |
| 227 | |
| 260 | |
| 248 | |
| 218 | |
| 226 | |
| 216 | |
| 233 | |
| 242 | |
| 229 | |
| 234 | |
| 230 | |
| 211 | |
| 214 | |
| 275 | |
| 243 | |
| 279 | |
| 270 | |
| 235 | |
| 208 | |
| 210 | |
| 273 | |
| 251 | |
| 273 | |
| 270 | |
| 302 | |
| 256 | |
| 212 | |
| 264 | |
| 302 | |
| 277 | |
| 240 | |
| 252 | |
| 213 | |
| 184 | |
| 206 | |
| 216 | |
| 232 | |
| 232 | |
| 234 | |
| 189 |
External Links
About This Artist
Joe Bataan
154,196 listeners
No recording artist has more impeccable street credentials than Joe Bataan, the originator of the New York Latin Soul style that paralleled Latin boogaloo and anticipated disco. His musical experience began with street corner doo-wop in the 1950s, and came to include one of the first rap records to hit the charts, 1979's "Rap-O, Clap-O". In between these milestones, he recorded classic albums like St. Latin's Day Massacre, a perennial favorite in the salsa market, Salsoul, which gave the record label its name and helped spark the national explosion of urban dance… read more
No recording artist has more impeccable street credentials than Joe Bataan, the originator of the New York Latin Soul style that paralleled Latin boogaloo and anticipated disco. His musical… read more
No recording artist has more impeccable street credentials than Joe Bataan, the originator of the New York Latin Soul style that paralleled Latin boogaloo and anticipated disco. His musical experience began with street corner doo-wop i… read more
