Harold BuddBiography
Harold Budd (born May 24, 1936) is an American ambient/avant-garde composer. Born in Los Angeles, California, he was raised in the Mojave Desert, and was inspired at an early age by the humming tone caused by wind blown across telephone wires.
His career as a composer began in 1962. In the following years he gained a notable reputation in the local avant-garde community. In 1966 he graduated from the University of Southern California with a degree in musical composition.
As his career progressed, his compositions became increasingly minimal. Among his more experimental works were two drone pieces, “Coeur d’Orr” and “The Oak of the Golden Dreams”. “The Oak of the Golden Dreams” was based on the Balinese “Slendro” scale. After composing a long-form gong solo titled “Lirio”, he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporally from composition in 1970 and began a teaching career at the California Institute of the Arts.
Two years later, while still retaining his teaching career, he resurfaced as a composer. Spanning from 1972-1975 he created four individual works under the collective title The Pavilion of Dreams. The style of these works was an unusual blend of popular jazz and the avant-garde. In 1976 he resigned from the institute and began recording his new compositions, produced by British ambient pioneer Brian Eno. Two years later Harold Budd’s debut album The Pavilion of Dreams was released.
Since then he has developed a unique and powerful style of ambient music. His two collaborations with Brian Eno, The Plateaux of Mirror and The Pearl, established his trademark atmospheric piano style. In Lovely Thunder he introduced subtle electronic textures. His thematic 2000 release The Room saw a return to a more minimalist approach.
His album Avalon Sutra from 2004 was billed as “Harold Budd’s Last Recorded Work” by the record label SamadhiSound. Their press release continues: “Avalon Sutra brings to a conclusion thirty years of sustained musical activity. Asked for his reasons, Budd says only that he feels that he has said what he has to say. With characteristic humility, he concludes, “I don’t mind disappearing!””
In spite of this, Budd’s soundtrack to the film Mysterious Skin (a collaboration with Robin Guthrie) and Music for “Fragments From the Inside” (with Eraldo Bernocchi) were both released in 2005. According to Robin Guthrie, the duo are in the process of recording a second album together.
His career as a composer began in 1962. In the following years he gained a notable reputation in the local avant-garde community. In 1966 he graduated from the University of Southern California with a degree in musical composition.
As his career progressed, his compositions became increasingly minimal. Among his more experimental works were two drone pieces, “Coeur d’Orr” and “The Oak of the Golden Dreams”. “The Oak of the Golden Dreams” was based on the Balinese “Slendro” scale. After composing a long-form gong solo titled “Lirio”, he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporally from composition in 1970 and began a teaching career at the California Institute of the Arts.
Two years later, while still retaining his teaching career, he resurfaced as a composer. Spanning from 1972-1975 he created four individual works under the collective title The Pavilion of Dreams. The style of these works was an unusual blend of popular jazz and the avant-garde. In 1976 he resigned from the institute and began recording his new compositions, produced by British ambient pioneer Brian Eno. Two years later Harold Budd’s debut album The Pavilion of Dreams was released.
Since then he has developed a unique and powerful style of ambient music. His two collaborations with Brian Eno, The Plateaux of Mirror and The Pearl, established his trademark atmospheric piano style. In Lovely Thunder he introduced subtle electronic textures. His thematic 2000 release The Room saw a return to a more minimalist approach.
His album Avalon Sutra from 2004 was billed as “Harold Budd’s Last Recorded Work” by the record label SamadhiSound. Their press release continues: “Avalon Sutra brings to a conclusion thirty years of sustained musical activity. Asked for his reasons, Budd says only that he feels that he has said what he has to say. With characteristic humility, he concludes, “I don’t mind disappearing!””
In spite of this, Budd’s soundtrack to the film Mysterious Skin (a collaboration with Robin Guthrie) and Music for “Fragments From the Inside” (with Eraldo Bernocchi) were both released in 2005. According to Robin Guthrie, the duo are in the process of recording a second album together.
Edited by Miltou on 7 Aug 2006, 21:05
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