The avante garde Alien³ was written for the motion picture of the same name, scored by Elliot Goldenthal, it was his first big mainstream score; he described it as an experiment and spent a whole year creating it. Goldenthal's work for Alien³ is widely considered one of his most intensely inventive, visceral, influential works and indeed, by many listeners, to be his best; Goldenthal himself cites the score as one of his stand-out soundtracks. Whilst creating the score in Los Angeles the LA Riots of 1992 were going on and he has noted that the wild and tempestuous atmosphere in… read more
The avante garde Alien³ was written for the motion picture of the same name, scored by Elliot Goldenthal, it was his first big mainstream score; he d… read more
The avante garde Alien³ was written for the motion picture of the same name, scored by Elliot Goldenthal, it was his first big mainstream score; he described it as an experiment and spen… read more
Elliot Goldenthal (born May 2, 1954) is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways. He won the Academy Award for Best Original Score in 2002 for his score to the motion picture Frida, directed by his longtime partner Julie Taymor. Goldenthal was born on May 2, 1954, the youngest son of a Jewish housepainter father and a Catholic seamstress mother in Brooklyn, New … read more
Elliot Goldenthal (born May 2, 1954) is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known… read more
Elliot Goldenthal (born May 2, 1954) is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known for his distinctive style and ability to blen… read more