Join others and track this album
Scrobble, find and rediscover music with a Last.fm account
Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Play track | Do They Owe Us a Living? |
|
|
1:10 | |||
| 2 | Play track | Major General Despair |
|
|
2:32 | |||
| 3 | Play track | Angela Rippon |
|
|
||||
| 4 | Play track | Reality Asylum |
|
|
||||
| 5 | Play track | Shaved Women |
|
|
3:10 | |||
| 6 | Play track | Bloody Revolutions |
|
|
||||
| 7 | Play track | Nagasaki Nightmare |
|
|
||||
| 8 | Play track | Big A Little A |
|
|
4:50 | |||
| 9 | Play track | Rival Tribal Rebel Revel |
|
|
||||
| 10 | Play track | Sheep Farming in the Falklands |
|
|
||||
| 11 | Play track | How Does It Feel? |
|
|
||||
| 12 | Play track | The Immortal Death |
|
|
||||
| 13 | Play track | Don't Tell Me You Care |
|
|
||||
| 14 | Play track | Sheep Farming in the Falklands |
|
|
||||
| 15 | Play track | Gotcha |
|
|
2:52 | |||
| 16 | Play track | You're Already Dead |
|
|
4:16 | |||
| 17 | Play track | Nagasaki Is Yesterday's DogEnd |
|
|
||||
| 18 | Play track | Don't Get Caught |
|
|
2:57 | |||
| 19 | Play track | Smash the Mac |
|
|
3:23 | |||
| 20 | Play track | Do They Owe Us a Living? |
|
|
1:10 |
Similar Albums
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 166 | |
| 190 | |
| 144 | |
| 135 | |
| 164 | |
| 147 | |
| 136 | |
| 132 | |
| 128 | |
| 116 | |
| 124 | |
| 136 | |
| 132 | |
| 154 | |
| 150 | |
| 161 | |
| 107 | |
| 127 | |
| 130 | |
| 166 | |
| 151 | |
| 130 | |
| 126 | |
| 111 | |
| 109 | |
| 85 | |
| 124 | |
| 139 | |
| 151 | |
| 129 | |
| 134 | |
| 167 | |
| 116 | |
| 148 | |
| 128 | |
| 167 | |
| 164 | |
| 125 | |
| 130 | |
| 144 | |
| 152 | |
| 141 | |
| 185 | |
| 159 | |
| 147 | |
| 147 | |
| 179 | |
| 179 | |
| 164 | |
| 166 | |
| 177 | |
| 160 | |
| 157 | |
| 173 | |
| 196 | |
| 178 | |
| 192 | |
| 164 | |
| 183 | |
| 165 | |
| 206 | |
| 177 | |
| 212 | |
| 184 | |
| 200 | |
| 141 | |
| 129 | |
| 170 | |
| 173 | |
| 187 | |
| 171 | |
| 193 | |
| 151 | |
| 161 | |
| 178 | |
| 161 | |
| 179 | |
| 178 | |
| 206 | |
| 188 | |
| 120 | |
| 81 | |
| 87 | |
| 78 | |
| 70 | |
| 78 | |
| 84 | |
| 67 | |
| 93 | |
| 84 | |
| 79 | |
| 97 | |
| 85 | |
| 70 | |
| 64 | |
| 80 | |
| 79 | |
| 82 | |
| 78 | |
| 71 | |
| 60 | |
| 64 | |
| 89 | |
| 89 | |
| 83 | |
| 64 | |
| 74 | |
| 69 | |
| 66 | |
| 75 | |
| 65 | |
| 77 | |
| 75 | |
| 76 | |
| 72 | |
| 59 | |
| 64 | |
| 60 | |
| 65 | |
| 61 | |
| 63 | |
| 66 | |
| 67 | |
| 70 | |
| 69 | |
| 68 | |
| 59 | |
| 61 | |
| 59 | |
| 39 | |
| 58 | |
| 59 | |
| 67 | |
| 60 | |
| 80 | |
| 58 | |
| 65 | |
| 81 | |
| 66 | |
| 60 | |
| 57 | |
| 59 | |
| 46 | |
| 58 | |
| 69 | |
| 54 | |
| 57 | |
| 64 | |
| 69 | |
| 52 | |
| 58 | |
| 56 | |
| 76 | |
| 63 | |
| 61 | |
| 54 | |
| 59 | |
| 45 | |
| 53 | |
| 65 | |
| 53 | |
| 58 | |
| 62 | |
| 41 | |
| 37 | |
| 52 | |
| 47 | |
| 57 | |
| 43 | |
| 52 | |
| 60 | |
| 49 | |
| 61 | |
| 59 | |
| 47 | |
| 51 | |
| 59 | |
| 40 | |
| 46 | |
| 44 | |
| 53 |
External Links
About This Artist
Crass
194,864 listeners
Crass were an English anarcho-punk band, formed in 1977 and based around Dial House, an open house community near Epping, Essex, England. In contrast to the Sex Pistols 'anarchy', Crass' attitude was more directly influenced by libertarian socialist philosophy and anarchism's nineteenth century roots. In the process they promoted anarchism as a legitimate political ideology, way of living, and as a resistance movement, popularizing the seminal peace punk movement and touching on such overtly political issues as anti-consumerism, direct action, feminism, pacifism,… read more
Crass were an English anarcho-punk band, formed in 1977 and based around Dial House, an open house community near Epping, Essex, England. In contrast to the Sex Pistols 'anarchy',… read more
Crass were an English anarcho-punk band, formed in 1977 and based around Dial House, an open house community near Epping, Essex, England. In contrast to the Sex Pistols 'anarchy', Crass' attitude was more directly influe… read more
