BLÆRG’s newest album, “Dysphoric Sonorities“, is filled with subtle, purposeful intelligence which begins with its philologically challenging titles and continues through the very last moments of track nine, “Titanium Cicada“. With titles such as “Ebullient Leitmotif” and “Crepuscular Harlotry” you may feel that this album is an exercise in “Unmitigated Verbosity” (track 05), but, if you delve further, you’ll find that every choice made in this album is deliberate and selective, from the samples, beats and rhythms to the polysyllabic titles. “Dysphoric Sonorities” manages to transce… read more
BLÆRG’s newest album, “Dysphoric Sonorities“, is filled with subtle, purposeful intelligence which begins with its philologically challenging titles … read more
BLÆRG’s newest album, “Dysphoric Sonorities“, is filled with subtle, purposeful intelligence which begins with its philologically challenging titles and continues through the very last m… read more
http://www.bottle-imp.com/artists/blaerg BLÆRG began as Scott Wehman, a bassist for varied local metal bands since the age of 15, was searching for more alternate musical outlets. Kismet brought him across an article entitled “How to Begin Experiments in Electronic Music.” Scott followed the detailed advice of the article and, having obtained some equipment via the internet, began the experiment. Scott readily embraced the freedom of electronica after the inconsistencies and lack of creative liberties found in a band setting. Soon he found that his audio-visions reached far beyond t… read more
http://www.bottle-imp.com/artists/blaerg BLÆRG began as Scott Wehman, a bassist for varied local metal bands since the age of 15, was searching for more alternate musical outlets. Kismet br… read more
http://www.bottle-imp.com/artists/blaerg BLÆRG began as Scott Wehman, a bassist for varied local metal bands since the age of 15, was searching for more alternate musical outlets. Kismet brought him across an article entitled “How to B… read more