This track reminded me of the Bill Evans,"Trio 64"recording right away because Eddie Gomez has a Gary Peacock ,independent feel in the beginning of the song and the drums are choppy like the Paul Motian style back then . I wonder if Bill directed this idea ?I like it .
View wiki
This track reminded me of the Bill Evans,"Trio 64"recording right away because Eddie Gomez has a Gary Peacock ,independent feel in the begi… read more
This track reminded me of the Bill Evans,"Trio 64"recording right away because Eddie Gomez has a Gary Peacock ,independent feel in the beginning of the song and the drums are c… read more
A near-total unknown when he landed in New York in 1955 to study with George Russell, Bill Evans quickly became famous as the most cerebralmodern jazz pianist since Thelonious Monk. After a stint with Miles Davis that included the epochalKind of Blue, Evans led his own trio with bassist Scott LaFaro and drummer Paul Motian that ended with LaFaro's death in a 1961 car accident. After a period of seclusion, Evans returned with 1962's haunting, minimal Undercurrent. He maintained a steady presence in modern jazz until his death in 1980.
View wiki